Showing posts with label Electro-step. Show all posts
Showing posts with label Electro-step. Show all posts

Tuesday, October 16, 2012

Die Antword - Fatty Boom Boom!

This one woke me up from a deep slumber, War song. Lady gaga cameo attacks... most importantly a rich Zeff visual style and aggy proper riddim. Up front and in your face as usual, Die Antword may be able to save hip-hop electro relevance yet. I'm nut sure if it's honest, but it is pure.

Wednesday, June 27, 2012

Noisia - "The Devil May Cry" Melting X-Boxes Everywhere in 2013.


Got an interesting press release from the The Collective today. Apparently Noisia isn't content with murdering your home stereo equipment, there' set on melting your X-boxes too. So far these bass merchants have done no wrong and are still one of the most consistent and brutal bass acts around. I prefer their drum n bass, but this is good too! Check it!
Today Capcom announced that the popular video game series, Devil May Cry or DMC’s soundtrack will be produced by Noisia and the rock band Combichrist. Noisia recently released the “Devil May Cry Soundtrack Sample” on Soundcloud and made the almost 3 minute track available for free. They also released a statement surrounding their work on the upcoming video game, which is due out in stores January 15th 2013 on Xbox and PS3.

"Its been an awesome experience working with Ninja Theory on the game. We had great freedom but were also bound by certain criteria typical in the game world, these are challenging boundaries (for example; consistency in sonics over 180 minutes of music) but also lots of space in terms of dynamics & progression and instrumentation, being able to create soundscapes without having to worry about holding the attention of a dancefloor. Also, their music director was great to work with, good vibes. It's great when you get to play to your strengths. And the game kicks ass." - Noisia


Thursday, April 5, 2012

Chase and Status - Live USA Tour Documentary - I Remember When I Used to Feel Something


Here's a little slice of tour life with Chase & Status, Mc Rage, Delilah and their drummer Andy Gangadeen. It's a bit of a pretty fluff piece, with little to no over arching story, but if you like their tunes and want to check out what they are like on tour, here's your chance.

Mostly what I got from it; it looks like they put on a hell of a live show with DJ mixed real instruments on certain tunes. How they sound, not too sure as they only put the audio from their studio tracks over most of their performance. It would have sick if you got to actually hear the live show, you know, it is a live tour documentary after all. You get a little bit of a taste at the 26 minute mark, and it sounds pretty good. The soundboard audio is obviously not the best as it's mixed down for a live show, but hey I'll take what I can get! There is a few funny Raver Parking Lot bits, ala Heavy Metal Parking Lot. And lots and lots of pretty festival footage and venues going ballistic. Without a doubt it visually reflects the energy and vibe of their tunes.

Tuesday, December 14, 2010

Loop StepWalker - Radio Autopsy

Loop Stepwalker - Radio Autopsy (Electrostep mix Clip) by Loop Stepwalker

Well, here we have it, the song that finally broke dubstep. This is when Fonzi jumps the shark and we have to tune into to the next episode to see if he gets devoured or not. I've been mostly ducking the glut of noise merchants that have been disguising themselves as dubstep, for the better part of the year. Occasionally I'd check in to see if there were any diamonds in the rough, but for the most part, it's been all Borgore and Funtcase derivative wanna-bes. Until now. Loop Stepwalker (sigh, that name actually pains me to say out loud) delivers the next evolutionary step of filth in this self-proclaimed "electro-step" tune. Really it's just a mash-up of bro-step, house, and gabber. I'd compare it to when breakcore emerged out of the drum n bass and gabber scenes, but that'd be a disservice to the productions quality here. While I kind of loathe the actual tune, I can't deny the superior craftsmanship or innovation that's happening. It seems like it's a natural progression of the extreme switch-up bassline style that's been churned out the past two years, but mashing genres and executing in a crisp and professional manner. Anyways give a listen, and comment below and tell me to fuck off, I'm probably way off basis.