Showing posts with label Grime. Show all posts
Showing posts with label Grime. Show all posts

Monday, July 9, 2012

Ikonclasta - Detained In Lisboa

I got a message from a promoter that I regularly get updates from, and he asked me to help spread the word on this situation. In his own words:
A friend of mine is a political activist in Angola, he s actively involved in the student movement which is fighting to restore democracy locally. Luaty aka Ikonoklasta spoke out against the government during one of his shows, he urged the crowd to attend an anti-government rally, and ever since he s been beaten up, arrested, his house was broken into, his girlfriend kidnapped, his whole family terrorized with anonymous death threats etc. 

On June 11 he flew into Lisboa to join the Portuguese Kuduro group Batida for their European tour. H was arrested at the airport, the Angolan secret service planted in excess of 1kg of cocaine in his luggage. It's highly improbable that he will serve any time, as it was even clear to the Portuguese customs officers that it was a set up, but he s yet to stand trial. 


Click the "CC" on the video to get the English subtitles.

Here's some of Ikonoclasta's music, it's kind of political soca/grime/electronica with a whimsical edge:


Batida - Cuka feat.Ikonoklasta (English Subtitled) from Fazuma on Vimeo.

It's not often that electronic music explore topics beyond partying, especially one promoting explicit political viewpoints. This particular tune about about many things, but the message that stands out is don't waste you time boozing, the government is using it to distract you from it's suppressive conditions. In context with the current regime in Angola it makes prefect sense.

And some background on the student protest movement in Angola.



Additional info about other detained protesters can be found here: http://www.hrw.org/news/2012/07/05/angola-protesters-detained-disappeared

Help do your part to spread the word and raise awareness. Like, share, tweet, and repost this article and videos among your social network. Thanks and big up to Lukasz for bringing this to my attention.

Friday, March 23, 2012

Roll Deep "Nasty" escapes from the madhouse!


Here's a grimey thump and grind from Roll Deep crew. Drill press bass and crispy beats carry this war anthem. It's a back street battle of megaphones rants and venomous bars, the kind that get's you hyped for an all-out brawl. The spit so fast you never see the sucker punch coming. It's a hard hitting, blood-pumping, get up and break shit kind of tune. The video is no less unsettling. It's like an updated Metallica's "One'. Black and white straight-jacket portraits of Roll Deep losing their shit and giving themselves crappy tattoos with a broken gun inside an asylum. Entertaining.

Thursday, March 22, 2012

Cypress x Rusko - "Roll It, Light It" West Coast Grimestep


What a great collaboration between Cypress Hill, Rusko and director Jodeb. "Roll It, Light It" does what it says on the tin. It's a deep dubstep roller with slightly glitched-out hiccups and Cypress crew spitting slick grimey bars to the riddim. The rhymes are faster than you typical Cypress tune and seem fall into Grime-esque patterns, but that could just be because of the dubstep beats and association with it. Anyways this style doesn't always work, but here it's a freaking home run. Cypress are running ting's all up and down this tune, but they aren't making jibberish and bum-rushing the flow. Quickfire burst, then mellow chorus, let the tune breathe, then back into it. Future MC's take note, that's the way it's done. The video itself is a gorgeous train ride through collapsing monuments, broken glitch loops, Plexus vectors animations and color tearing separations. Newton-fueled down-rezzing and broken pixelization echos the grinding bit-crushed bass, harmonizing into a luscious aural and video landscape. It's edited quick and punchy but you still get a proper look at all the beautiful renders and slow destruction. Fucking aces.

Wednesday, January 4, 2012

Top-Twenty Bass Tracks of 2011

Oh man here's is my obligatory 2011 top ten list. But it isn't ten, its twenty. I'm lazy and can't make decisions, sorry. Anyways here you go, I'll post up links to the tunes as I stumble across them and start rambling about how they are epic-ly brutal. Happy Belated News Years you bass freaks.

 Top-Twenty Bass Tracks of 2011 

 1. Dub Mechanics - Propane
I first thought this dubstep tune was by Coki and posted up about this on the blog here looking for a tune ID. Some helpful soul on dubstep forum finally pointed me in the direction of a you tube video and it's by some Dub Mechanics, whom are unknown to me. Best info I can find on them is on there sound cloud page.
"The Dub Mechanics, a South London based duo who Dj & produce Dub, Dubstep and various other genres of music."
As exclusive and mysterious as this dub is, it's actually nothing compared to it's gnarly roar. This tune is devastation and mega-death. It's the gamma bomb rage virus that triggers a zombie apocalypse. Barking rabid robot dogs commanded by lord Darkseid that will devour you and all you're little twilight raver buddies. A whirlwind of comic book violence and crappy metaphors. In otherwords, sick. For that it earns my top spot on the list.

 2. Evol Intent - Hollow Earth
Neurofunk inspired drum n bass tearouts tunes never really seem to get old do they? Alot of 2011 was me rediscovering my love for drum n bass. I found the landscape had changed and everything became slower   and mixed with old school flavors. Which is great, but I was looking for tunes like this that jumped forward from where I left off.

Evol Intent delivers one mother of a payload with Hollow Earth. A twenty megaton explosion of plasma pulsing bass and wreckage. It's got that sci-fi cinematic intro similar to a Dom + Roland or Virus tune, with some very lush and over-produced flotsam and jetsam spaces sounds. They are all too familiar trimmings of a tech-step epic. It drops straight into a hardstep runner, spits you out the otherside of the blackhole into a dubstep breakdown that dissects the beats and provides lot of delicious edits for the beard-stroking massive to fawn over.

So yeah basically I'm saying it's got some straight forward banging phrases on one hand, and complex breakdowns, on the other. Makes it an interesting tune to listen to again and again. All while being kick-ass and heavy and make me want to run around and play lazer tag and shit.

 3. Phace + Mistanthrop - Energie
GAH! What a stormer! This one draws a dark sci-fi vibe from films like Alien, Bladed Runner, Terminator and maybe Hellraiser In Space and injects it into a brutally futuristic beat. A tradition set forth by godfathers of tech step such as Dom & Roland, Ed Rush & Optical and )EIB(. It's not groundbreaking by any means but the sheer bass weight and energy makes it noteworthy. It's just fun having proper tech-step back in the lime light.  4. Modeselektor feat. Nazizi & Abbas "Monkey Flip"
 5. Digital Mystikz - Animal
 6. Basher - Androids
 7. Zinc - Recovered
 8. Azealia Banks - 212
No brainer on this here. Huge bangin'track from the indy breakout artist out of Harlem, Azealia Banks. Azzy can be as soulful as she is raunchy, and the contrast between the salty and sweet styles make "212" the perfect dancefloor banger. Granted, production on this isn't on the heavy side, but it's decent bass track. The groove is funky enough to get people moving and the hard-hitting bars amp up the vibe 'till screaming takes over the breakdown and dives into the honeycomb vocals on the refrain.  9. Mosca - Bax
 10. Magnetic Man - Karma Crazy
 11. Skream - Exothermic Reaction
 12. Excision + Datsik remix of Noisia - Alpha Centauri
 13. The Aliens - Xterminate
 14. Stinkahbell - Something In Your Eyes
 15. Interface - Twister (Ft. Shahin Badar)
 16. Wickaman - Free Bea
 17. Critycal Dub Feat Level 2 - Touch The Sky
 18. Noisia Remix of Deadmau5 - Raise Your Weapon
 19. MRK1 - Cardiac Arrest
 20. ill.Gates + Dov Remix of Greg Reve - Decoy

Monday, December 12, 2011

Bashy feat Giggs - Backhand P.R.I.C.K.S

Bangers and Smash tipped me off to another hot one. Bashy kills it with this rather even-handed but thugged-out tune about haters and envious fanboys. Seem's to be alot of that going around at the moment with D Double E doing a similar tune called "Never Be Like Me" or some shit. Anyways I prefer the Bashy one as the beats are way more aggy with military snares layer with white noise claps and big slapping sub.

"You know why I got white gold and platinum? - Why's that? Because I wasn't born with a silver spoon and I grind for that money, fam. I grind for it." Motion graphics are on the crude side for this video with brightly colored late 90's styled vector art that's a bit on the sloppy side. Kinetic type treatment, jump cuts, twitches and crude transitions actually make this very watchable. The animations are a bit rough and visual themes are obvious but that's the point. It unifies it in a raw aesthetic that vibes well the sonic growl of Bashy and Giggs. The video ends with a great quote form Honore De Balzac "Envy is the most stupid of vices, for there is no single advantage to be gained from it."

Buggsy's 'Connect The SPDIF' Featuring U.K legends Jehst & Farma G

Bit of a odd mellow yellow weed smoking tune. Its mostly a mid-paced bong-ripper until the Buggsy get's hyper at the end, kind of killing the lifted vibe. The video is weird little tea party at someone's crappy apartment. All around a bit of a wacky tune, but I really dig the groove and it's freakin' Monday, so who needs to be all upfront on a Monday, really. Sometimes you got to take it down a notch, and this one does the trick.

Tuesday, December 6, 2011

Klashnekoff "Clear my throat"

Got this one from the peeps at Bangers and Smash. K-Lash comes correct with a grime rework of Biz Markie's legendary Let Me Clear My Throat. The video is rather standard footage of boxing rings, cars doing donuts in parking lots, tattoo parlours and housing projects. I like it though. It's simple, honest and straight forward. They are just having fun, hanging out and goofing around. Not posing too be ultra gangsta and not hiding behind lots of bling, or hoodies and masks. Klashnekoff belts-out heavyweight bars with a minimal taunting chorus, and to me, it's a proper tribute to the Biz. It's crazy how fucking catchy and fun that beat is still after all these years. It still sounds fresh.

Wednesday, November 30, 2011

MRK1 Freebies

Here's a whole mess of MRK1 freebies and remixes. From synthy epic vibes, to grimed-up dancehall, and trance-out pop, he's got multi-flavors running. Not very typical stuff you'd expect from MRK1. Personally I dig the dancehall and grime vibes, not a big fan of his trancy champaign dubstep cash-in's. MRK1 - Revival (free download) http://www.sendspace.com/file/dqc2p5 by MRK1 Dukebox - REPLAY EQ'D [DKS] free download! (MRK1 and Doctor) by MRK1 Lady Gaga - Telephone (MRK1 Booted it Rmx) free download by MRK1 Rossi B and Luca feat FLODAN - Shooter (MRK1 remix) by MRK1

Monday, November 7, 2011

Plastician on Rinse FM 2011-10-30

http://www.filesonic.com/file/3040090334/Plastician301011.mp3

Man, haven't posted much from Plas in a minute,so here's his birthday show. Not much has changed to be honest, his usual bag of ticks and treats include: straight top-40 bangers, hard-edged dubs, the occasional synthy love and grime and 2-step anthems. There's a couple of nice double drops and long riding blends, and some background chatter. A few technicals pop up later in the mix, the mike lead gets real spotty, but it never derails the mix or the vibes. That's what the radios show is all about isn't it? Pure vibes. And with that, the Plastician formula works well, what can you say. Happy Birthday Plastician, sounds like you had a good one!

Thursday, September 29, 2011

Azealia Banks - 212 Free Track

DOWNLOAD – AZEALIA BANKS – 212

Here's an odd counterpoint to the Iggy Azealea tune that I found on this rad UKG blog Bangers And Smash. It's a crack house work-out banger with Azealia hawking up some vile taunting bars in a nasally So-Cal voice. And soulful singing on the break downs. Screaming distorted like Prodigy, "I'm going to ruin you cunt".Whoa.

Angry, appealing and somewhat less narsty than that Iggy tune. Two sides of the same coin, I suppose, but if for some weird reason I have to decide I'm down with Banks and the 212. It's got a proper underground club vibe and a familiar dirty garage beat that I can get down to. Strong female MC's keep on bringing it, you all are murdering it lately. What do you think?

Monday, September 26, 2011

Lioness - Don't Tell Me

Great little grime-step number by Lioness. The video is boring club crap, and I hate the trancey breakdown, but the meat of this tune is something I can deal with. That's what counts anyways right? Lioness roars some fierce bars on top of a thick dubstep bed. The mechanics are all Rusko spare parts, circa 2009 with a random wobble thrown in for good measure.Actually not sure who is on the buttons to be honest,if anyone can ID please comment below. But I like the vibe. There's a certain unity to the delivery that makes sense, neither the dubstep nor the lyrics are an afterthought. It's thoughtful, aggressively independent and almost kind of feminist. Not in a long armpit hair kind of way, but just in the strong female sense. Lioness isn't objectifying herself, sexualizing or trying to make an "ism" out of some bullshit. It's kind of refreshing.

Tuesday, July 12, 2011

BLNRB-NRBLN *Update*


In early 2009, three bands from the world-reknown Berlin electronic music scene set out to a journey, their destination: Nairobi, Kenya, in East Africa. The idea ‘Berlin meets Nairobi’, brainchild of Goethe-Institut Nairobi and electronic music duo Gebrüder Teichmann, was as simple as it was complex at the same time. Berlin musicians would come to this vibrant East African metropolis and meet, mix and mingle with artists from the local music scene.
BLNRB - WELCOME TO THE MADHOUSE (DALA DALA MIX) by OuthereRecords

Ok wow, it's hard to even wrap my head around this project in a proper way. To me, it feels like an electronica missionary, so maybe you should read the full scoop on this straight from the source, because I think my take on it is just all wrong: Welcome to The Madhouse.

Talking straight music, the tune that comes in at 9:45 by Nazizi is pure spitfire, and can run alongside any top grime artist, no problem. In fact I'll go as far as to say it brings a new energy to genre in terms of beats and vocal cadence. It's intricate, weirdly glitched out funky dancehall with some squee-like fx peppered throughout. It's the intensity of a gang-war at the nightclub, boiled down to a blindin' club banger. Then at 10:45 it takes a sharp left turn into some driving hard strumming alterna-punk. It might be that a new tune was mixed in with the same vocalists, or it's part of the song, it's always hard to tell with no track listing. Either way, a bit out of place.

It all comes a back more into focus with the BLNRB EP Available on iTunes This sampler is bit more on the average side for me. The standouts are Dirty Laundry and Very Necessary, the former is some unusual tribal two-step, and the later is electro-alt band/ nerdcore soundclash. None of the songs on this really match the energy of that Nazizi tune in the mix, and just kind of fall into the mediocre realm. They're not bad, but I can't say I'm really excited or into them either.

That's about all I got on it, and I'll leave it to you to make heads or tails of this project, there's just too much going on for me to sift through. Good luck!

Update: Mike Oates found the Nazizi tune on You Tube, and fuck yeah, here it is in it's full unadulterated glory - Modeselektor feat. Nazizi & Abbas "Monkey Flip" (Monkeytown Records) Out March 18 :

Thursday, May 19, 2011

WILEY & CHEW FU - TAKE THAT VIDEO



Firing new grime-electro rocker from WileyGrime Wave [Explicit] and Chew Fu. The video is a bit much, not sure what's up with them girls. The one is looking quite tranny and keeps on giving a gas face. Video aside, I can't deny the rawness of this track. A simple aggro anthem, enough to wake me from my C'thulu slumber and post up again. Chew Fu on the buttons scrawls his signature hip-hop electro fusion with with dirty synths and crunchy beats. Get on it.

Wednesday, April 27, 2011

Tempa-T Work-out Vid vs. Fletcher

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Only thing I can say is what the fuck? Really goofy shit right here. It's kinda funny and kinda sad all at the same time. But then take a listen to Fletcher, it's straight murder and very similar to Next Hype.



SO what I'm saying is we need a remix mash-up: Tempa-T Work-Out vs Flecther. Grime world and dubstep producers hop to it! The challenge is clear.

Monday, January 24, 2011

Juakali - Interview



Juakali, longtime Dubwar MC & host, has appeared on commercial recordings with Alpha & Omega, Raz Mesani, Pinch, Matty G, Kush Arora and others, impressing both industry and audiences with his ability to innovate across dub, reggae, dubstep, dancehall, bhangra, electronic, and experimental genres. This lead to him being featured as one of the top 5 US Ragga MCs who are, "launching careers as artists and producers...pushing dancehall beyond its boundaries..." ('Chat Bout' XLR8R Magazine - Issue118). 

I know you lived in Brooklyn for a minute and were involved with Dub War NYC, give us a bit of back story and history of your Dub War days. Is that when you were first exposed to dubstep?

Well, I went to College in Brooklyn, New York after immigrating from Trinidad & Tobago. While in College I got into spoken word and hip hop, was rippin and runnin all over New York City with a group known as Second2Last.  After I left college, the group more or less fizzled.  Life happened!  It was no longer about being the hot shit on the block or looking for cred.  It became increasingly clear that a huge sacrifice would have to be made by each person to realize our collective vision.  Sacrifice undertakes a different meaning for every individual.  In short, it became too much.  Meanwhile, I always knew I wanted to get into singing and performing utilizing my talents.  At the time - around 2004 - I was looking into any genre of music that sampled from reggae/ ragga/ Caribbean music/vocals.  A few things in my life at the time ushered me into the life style of an artist and I took the time to honor those moments and make the best of my knowledge of the music industry and performance circuit.  I researched for 2 months, sent emails to over 500 people and got about 25 serious replies.  One of those people was from a guy going by dqxt who invited me to the first Dub War night at Sputnik in Brooklyn. There I met Dave (aka Dave Q, dqxt) and Joe (Joe Nice).  I became a resident after that 1st night on the mic.

I know you did that "Reasons" tune with 12th Planet for the SMOG Scion CD Sampler. I know a "reasoning" is a simple event where the Rastas gather, smoke weed, and discuss, is that tune about that? BTW My brother is DJ Evol and he's been running with those guys for awhile and has been kind enough to introduce me to everyone when I visited with him in LA. How long have you been doing stuff with SMOG? Is that your main crew now? What's the current landscape of the scene in LA?


"Reasons" is about the collective high you achieve when all hearts are grooving to music.  I wrote that tune around 2007 with a scratch track I got from D1.  it was heavily syncopated.  all I was thinking about was back in the day in Trinidad when we would go to concerts, blockos/parties on the street, and just remembering the vibe of a few hundred souls moving to a riddim.  no fuss... no fight. 12th Planet asked me for a vocal around the time I moved to LA in 2008, and I gave him "Reasons" a Capella with no plans or instructions. The following year he was rinsing it around the US.  Joe Nice asked for the original, and cut a dubplate of it.  In 2010 the Doctor P remix hit.  Scion was already in talks with SMOG about a collaboration project and "Reasons" was the vehicle that provided the opportunity.  The tune is signed to SMOG’s label and that is about how far my official affiliation goes. For the most part, folks in Los Angeles know I'm based in their city. There is definitely city pride and all that, like any other major city with a music scene happening.  The recent Red Bull Culture Clash is a testament to that.  There is however, a full spectrum music culture here claiming the depths of the underground to the top of the pops and everything in-between. As far as electronic music goes in LA, there are a lot of artists and crews pushing for their time in the spotlight and it's near impossible to determine who will explode or implode within this construct. 
 
I like that you don't just have a typical dancehall flow, and you branch out with some pop culture references in your lyrics talking about Coors beers, Gamera, Hendrix and Yoda in "Freak You Back" and so on. Is this a conscious mashing of styles, or something that's just evolved over time? What are some favorite themes to rhyme about? Is there an overall message you are trying to get across?

My style and voice has definitely evolved over time.  I have been a host and feature performer since 2005.  I have learned how to get a crowed moving, jumping, to be still and to listen without loosing sight or pace with the event, promoter, DJ or myself.  My greatest lessons came from performing for an audience whose first language is not English.  If you can rock a crowd that does not understand what you're saying, you can wow any native speaker who has never heard of you!  I've learned to hone my strengths and laugh at my weaknesses on the stage.  As far as lyrics go, I tend to bury a message in the song write.  I started typing out my lyrics to the tunes I've done and didn't really start paying attention to it until reading it back on the computer.  I can write a party song with a message, I can write a dark song with a message... it comes natural to me.  I enjoy telling a story or writing about a particular experience. When I began hosting, I made it a point to not utter any cliché catch phrases to hype the crowd, a bunch of my own phrases have naturally developed from my creative process and I have made choruses from them. At Dub War we have long since called "dark" dubstep "sexy".  
Here are the lyrics to "Freak You Back".

This one here smoothie groovy

Pour the loosey goosey tonic

Grab this young gyal me choose she

Caribbean Sea flex

From Trinidad to Haiti
Cuba to Bahamas like them cruise be

Wanna sip something fruity

Rum Punch and Margarita the Samba

Barista come pour a Daiquiri

Fit n Sharp this yout' be

When me walk about

Sweeter juice akin to black berry


Chorus:
We gonna Freak You Back
Hands-on in the club
All wall occupied in the club
We gonna Freak You Back
Come dance in da club
Right cha now lights off in da club (x2)



Move 'bout as a loner

Show up paparazzi smile

Flashy without camera

Sound check, green room, toast it up

Take stage, rock 'bout like Hendrix ask Nona

“Voulez vous…” Juakali see you

Hypnotize by the sound 

Speak backward like Yoda

Shock out to the rhythm you must

Ok, UK in the vibe we trust

I guess that brings us to most important question really, which is what is Juakali all about? Is just about pushing different sounds, about Rastafarism, something more personal, or a little bit of everything? If there's one thing you wanted people to know about Juakali what would it be?

Juakali is about a voice.  It is personal.  

There's seems to be a trend of a lot of sounds melting together all at around the same BPM 135-145 or so. Production-wise for yourself what would like to see happen in the future, more cross-pollination of the sounds of dancehall, grime, dubstep, dub, glitch-hop, and jungle... or a final distillation into one or two really strong styles? Do like the direction where dubstep is headed currently? Has it lost sight of it's "dub" influences?

This world is fast moving toward a global community.  The style will become, 'who is not connected' ... 'who's off the radar'.  The cross-pollination of styles, as you call it, is inevitable. However, there will be room for the root music or style of any genre, look at Classical, Jazz, Rhythm and Blues, Rock & Roll, Country, Hip Hop for instance.  As we move forward, time will call the genre into being and it will be taught and cherished. Currently, dancehall, grime, dubstep, dub, glitch-hop, and jungle...  fit within the electronic realm, however, participants of our time have given them a name - it's a human thang. Dubstep has moved from 20 - 50 people in a 150sq.ft. dark room with decent sound to festivals.  It didn't get there from a lack of understanding how music and sound influences people.

Who's hot right now and who are some of the up and coming MC's and producers to look out for?

I'm afraid I can't talk about who's hot right now cause I mostly listen to what isn't "hot" or what's the verge, but let me run down what I've been listening to of late and who I've been checking out.  
Producers = Cardopusher, Pacheko, Knight Riderz, Kush Arora, Nate Mars, Sub Swara, Plastician, Distance, Tunnidge, Silkie, Cyrus, Ramadanman, Kuedo, Flaty DL, DJG, Matty G, Modeseletor, Porier, Marcus Visionary, Yellowtail, Subatomic Soundsystem, Ikonika, Breed, XI, DLX, Tes La Rok, Moldy, BunZer0, Spektrums, Wrexile, Uproot Andy, Magnetic Man, King Cannibal, Memory 9, Addison Groove, Pinch, Ras G, D1, Terror Danjah

MC's/Vocals/Bands = Jah Dan, Nneka, Little Dragon, Zuzuka Ponderosa, MC Zulu, Spoek Mathambo, Ms Dynamite, Collie Buds, Sade, Gorillaz, Distant Relatives...
 

Would care to share any story road stories with us? What's been the sickest parties? What's the craziest things you seen and experience through your journeys as an MC and host?

Oi, I guess folks could check my blog on myspace or my notes on facebook... lots of stuff has happened... will happen.  Best party from last year was opening for Chemical Brothers with Freq Nasty at the Fox Theater in Oakland. I lost my voice from excitement at the top of the set for about 30 seconds.  Craziest experience was getting a 'presidential' on stage behind one for the side curtains, wont say which show that was...

Anything else to add or any shouts?

Shouts to 25 serious replies I got back in 2005 when introducing myself as a recording artist. Lic-a-shot for the Dub War fam, syncro in Czech Republic, Kush Arora, Sasha Dees in Amsterdam, Sub Swara, DMZ crew, Pinch and Maryanne Hobbs who got me and what I was doing from jump! Out to all area crew who know, are brave and noble. STAMINA CREW!!! I SEE YOU  

www.juakalimusic.com
www.foreignfamiliar.com
www.facebook.com/juakalimusic
www.twitter.com/juakali
www.myspace.com/juakali
www.soundcloud.com/juakali

Wednesday, January 5, 2011

Maxsta sends for Chimpmunk - absolute grime fury



Damn, this shit is live. I don't know much about these guys at all, and only a smattering about the grime scene in general, so who knows what the fuck this is all about really. Check Hyperfrank for the inside scoop. But I'm loving the one-take spitting venom fury of this video. You see some of the stumbles and quick thinking recoveries, like it's all about to fall apart, then it comes back to refocus on another onslaught. I have no idea what they said but I like the energy.

Wednesday, November 10, 2010

Sukh Knight Ft. P.Money – Slang Like This (Official Video)



This tune is pure murder, and it's really cool to see a proper video for it. This what happens when the best of grime and dubstep collab with each other's strengths instead of mashing contrasting styles. Suhk Knight hits you with a murky riddim, and P. Money spits an anthem. It's got a flow and energy that can't be beat, each verse ripping your head off like a jackhammer. BTW, I love the intro, the drop really knocks you with an unexpected upper cut. There's plenty of humor mixed with the serious demeanor of the shots, that gives added interest to this, so it's not just another badman stance video. The randoms, cameos and extras, spitting along side P Money, who is wearing a shoe-laced hat on journey through the 'jects, is done in a pretty clever way. Well done all around I say. Shouts to YouDunKnow for the scoop. Safe bredrin.

Wednesday, November 3, 2010

B Live feat. Skepta, Newham Generals & Spyda - Modern Warfare 2



Copped this one offa Hyperfrank. You may have first heard this scorcher on this years Plastician's May mix. It's really cool to hear the full track and see a vid with it. What is it about Spyda's vocals that just turns every tune epic in scope? That guy is just the perfect polish to any grime tune, giving it just a proper rude edge. Anyway's this one's a no-scope killer, so rendezvous at Bravo checkpoint and keep your head down.

Thursday, September 2, 2010

RINSE FM- 16th Birthday Giveaway



http://rinse.fm/category/iam16/

Rinse FM turns 16 and is giving away loads of free tunes. Here's the press release:

The countdown to Rinse FM’s 16th Birthday Party at matter has begun!

To get you on a hype we’ve got hold of 16 tracks from the likes of Benga, P Money, MA1, Bok Bok and more to give away free – one each day until the rave on Friday 10th September.

First up is Roska — whose remix of Katy B’s “Katy On A Mission” is available now on iTunes and will be available from all other digital stores this Sunday 29th August — with “Play Gamez”.

Wednesday, August 4, 2010

Plastician and P Money – History of Dubstep

Recorded live at our event at The Thekla, Bristol with Bristol promoters Monkey!Knife!Fight! and clothing company Fly53; FOOmagazine present Plastician and P Money – History of Dubstep live set. There's a lot of the usual suspects on here as well as few deep cuts. Much like what you'd expect from a Plastician history lesson. The sound is a bit murky on here and I don't mean that in a good way, like it was recorded inside a laundry bag. P Money is way too hype on his spits, in full-on jibba jabba raving mode. I wish this was a studio mix and I could me more pumped on it, but as it stands barely worth the listen.





Plastician and P Money – History of Dubstep

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Tracklisting:
Masterstepz – Melody
Groove Chronicles – Black Puppet
Reservoir Dogs – Buddha Finger
DJ Zinc – 138 Trek
DJ Zinc – Go DJ
Wookie – Storm
Menta – Sounds Of The Future
Artwork – Red
Alias – Fight Club
Musical Mob – Pulse X
Bootleg – Eskimob
Wizzbit – Jamhot
Alias – Gladiator
Plasticman – Venom
Plasticman – Hard Graft
Digital Mystikz – Anti War Dub
Skream – Lightning
Skream – Midnight Request Line
Coki – Burning
Rusko – Jahova
Benga & Coki – Night
Skream – Chest Boxing
Coki – Tortured
Macabre Unit – Lift Off VIP
Benga –
Joker – Gully Brook Lane (Plastician Special)
Wiley – Morgue
Plasticman – Jackal Riddim
Plasticman – Section 7
Wiley – So Amazing
Terror Danjah – Creepy Crawler
12th Planet – Sixty Eight
Boogaloo Crew – Days Go By
Chase & Status – Saxon
Emalkay – When I Look At You
Magnetic Man – Mad
Simian Mobile Disco – Cruel Intentions (Joker Remix)
Skream – Filth
Trolley Snatcha – We Rock The Forest
Mr Virgo – Megaman
Doctor P – Sweet Shop
Redlight – MDMA
Skream – Wibbler
Skream – Raw Dogz
Skream – Untitled
Bassline Smith – Fu Manchu
Flux Pavillion – Got To Know
Rude Kid – Electric
Plastician – Elixir
Joker – Tron
Sukh Knight – Shutdown
Teddy – Dirtbag VIP
Teddy – Modern Warfare Instrumental
Kosheen – Guilty (Plastician Remix)
Flux Pavillion – Normalize
P Money – Left The Room (Skream Remix)
Plastician & 12th Planet – West Croydon